Dame Julie Andrews said it best: "Let's start at the very beginning."
It was only three minutes long, but it was historic: the first scene of Pepa and Silvia.
The scene begins as Silvia is preparing to target practice, and Pepa hits six bulleyes in a row. Is this a preview of Pepa being named the "best shot in San Antonio?"
This is a surprise reunion for Silvia. In this brief exchange we find out that the women knew each other when they were "kids" and that there was some kind of incident. Pepa asks for forgiveness and it is clear that Silvia is not holding a grudge.
They have a the funny exchange of kisses (their second in eight years). When they break away from the hug, we see Don Lorenzo and it is obvious that he hates Pepa--again another mystery.
There are three critical moments that happen pretty quickly:
#1 Silvia has both of her hands on Pepa's shoulders and she does not immediately remove them once Don Lorenzo has come into the gallery. Now that we know about the incident (kissing under the table at Sara's communion) we can appreciate the significance of Silvia not being in a rush to remove her hands in front of her father.
#2 As Don Lorenzo is leaving, Silvia looks at Pepa and she does a little eye lift--not a wink or a blink--and she simply gazes at Pepa.
#3 Pepa is at the door, looks back and smiles at Silvia. We haven't seen Silvia this happy in a long time. She has this wonderful turn where she does a little jump for joy. It is slight, but it is there. Trust me, it's there.
Now let's talk about the much discussed beauty of Marian and Laura. In my opinion, we stop breathing when we look at Marian and Laura simply stops traffic. Both amazingly beautiful, but uniquely different.
At the start of this scene, Silvia takes off her glasses and ear protectors and we gasp at how beautiful she is. While Pepa (she's a rebel* and doesn't need protection) looks like Pepa Smurf who just got out of bed. This was not Laura's finest hair day, but the next time that Pepa and Silvia are together (at the family dinner) she looks like the woman we adore.
*(Piper's note: Rebel, kinda like Dr. Piper in her film "Rebel Without A Clue")
Dr.Booker
9 comments:
Well said Dr. booker.
couldnt have said it better myself
i was excited to see what happened next.
just as giddy as a kid in a candy store.
i love pepsi........long live the queens of my heart.
EXACTLY that & subtitles! THANX PepSiEnglish
Awesome lecture as usual, Dr. Booker! Silvia looking at Pepa while DL was sternly talking to her - that's one of Silvia's finest scenes. She said so much with a simple gaze.
Dr. Booker we have had a little (private) discussion about a topic you called "Kiss Me With Your Eyes". To me that is what Silvia does when she looks at Pepa in picture #5. Now there is a distinction between a passionate and an affectionate kiss. Silvia can do both with her eyes. But in this particular scene it a tender kiss her eyes saying: I missed you and I am happy you are back.
Your analytical eye continues to amaze me Dr. B. I never really noticed those three critical moments you pointed out, or the significance of those moments.
And "Pepa Smurf" - hahaha!
Dr. Booker! You hit the mark with the whole PepSi non-verbal/communication thesis.
(*cough... which was what my next thesis was on but that's ok...I'm been neglecting my studies *end cough)
But really, I enjoy this write up and can't wait to read what you put up next!!
You have no idea how much I &hearts your lectures. They're like sunny spells on a rainy day or like chocolate or like strawberries. And, Dr. B, that's one sharp eye you have. I'm glad to be your student.
Well well very well said!
Totally loving #3!
The non-verbal communication between PepSi is one of the things that made them so awesome. Such natural chemistry.
I loved Silvia in this scene.
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